目 录 第1章 认识 Final Cut Pro X 本章重点 ·····························································1 1.1 Final Cut Pro X软件概述 ····························1 1.1.1 Final Cut Pro X的功能特色··················1 1.1.2 安装环境要求 ·······································2 1.1.3 实战—启动Final Cut Pro X··············2 1.2 Final Cut Pro X的工作流程·························3 1.2.1 视频拍摄 ···············································3 1.2.2 素材的采集 ···········································3 1.2.3 导入素材 ···············································3 1.2.4 剪辑处理 ···············································3 1.2.5 添加字幕与音频 ···································3 1.2.6 导出影片 ···············································3 1.3 视频规格设置 ·············································4 1.3.1 视频格式、分辨率与速率 ···················4 1.3.2 时间码 ···················································4 1.4 Final Cut Pro X工作区 ································4 1.4.1 菜单栏 ···················································4 1.4.2 事件库 ···················································5 1.4.3 磁性时间线 ···········································6 1.4.4 监视器 ···················································6 1.4.5 检查器 ···················································6 1.4.6 “时间线索引”面板 ···························6 1.4.7 工具栏 ···················································7 1.4.8 “效果浏览器”窗口 ···························7 1.4.9 音频指示器 ···········································7 1.5 工作区的基本操作 ······································7 1.5.1 使用预设工作区 ···································7 1.5.2 实战—自定义工作区布局 ···············8 1.5.3 保存工作区 ···········································8 1.5.4 隐藏与关闭程序 ···································9 1.6 素材的采集 ·················································9 1.6.1 从苹果设备中采集视频 ·······················9 1.6.2 从单反相机中采集视频 ·····················10 1.6.3 从DV/HDV摄影机采集视频 ·············10 1.7 本章小结···················································10 第2章 项目与文件的基本操作 本章重点 ··························································· 11 本章效果欣赏 ···················································· 11 2.1 资源库的设置 ··········································· 11 2.1.1 资源库概述 ·········································12 2.1.2 实战—新建资源库 ·························12 2.1.3 实战—打开与关闭资源库 ·············12 2.1.4 修改资源库存储位置 ·························13 2.2 事件设置···················································13 2.2.1 什么是事件 ·········································14 2.2.2 实战—新建事件 ·····························14 2.2.3 实战—删除事件 ·····························14 2.3 项目的基本设置 ········································15 2.3.1 创建项目 ·············································15 2.3.2 实战—使用自动设置创建项目 ·····15 2.3.3 预览项目 ·············································16 2.3.4 实战—为项目添加标记 ·················16 2.3.5 实战—重命名与删除项目 ·············17 2.3.6 实战—复制项目 ·····························17 2.3.7 修改项目设置 ·····································17 2.4 媒体导入···················································18 2.4.1 导入媒体 ·············································18 2.4.2 元数据 ·················································19 2.4.3 实战—手动添加元数据 ·················20 2.5 片段的整理与筛选 ····································21 2.5.1 收藏片段 ·············································21 V 2.5.2 拒绝片段 ·············································21 2.5.3 实战—自定义关键词 ·····················22 2.5.4 实战—新建关键词精选 ·················23 2.5.5 利用过滤器搜索关键词 ·····················24 2.5.6 实战—利用过滤器查找元数据 信息 ·····················································25 2.6 预览片段···················································26 2.6.1 切换预览模式 ·····································26 2.6.2 实战—片段外观设置 ·····················26 2.6.3 在浏览器中预览片段 ·························27 2.6.4 实战—浏览片段 ·····························27 2.6.5 实战—快捷键预览片段 ·················28 2.6.6 设置片段出入点 ·································29 2.6.7 实战—调整出入点位置 ·················29 2.6.8 实战—添加与修改标记 ·················30 2.7 综合实战—制作“红花绽放”项目效果 ····31 2.8 本章小结···················································32 第3章 视频剪辑技法 本章重点 ···························································33 本章效果欣赏 ····················································33 3.1 磁性时间线区域的基本操作 ······················33 3.1.1 在时间线中添加片段 ·························34 3.1.2 实战—调整片段位置 ·····················34 3.1.3 定位片段位置 ·····································35 3.1.4 复制与删除片段 ·································36 3.1.5 实战—展开与分离音频 ·················36 3.1.6 使用源媒体编辑片段 ·························37 3.1.7 独奏与停用片段 ·································37 3.2 连接、插入、追加和覆盖 ·························38 3.2.1 实战—运用“连接”方式添加 片段 ·····················································38 3.2.2 实战—运用“插入”方式添加 片段 ·····················································39 3.2.3 实战—运用“追加”方式添加 片段 ·····················································40 3.2.4 实战—运用“覆盖”方式添加 片段 ·····················································41 3.3 试演片段···················································42 3.3.1 创建试演片段 ·····································42 3.3.2 改变试演片段 ·····································43 3.3.3 实战—试演功能的练习 ·················44 3.4 故事情节···················································45 3.4.1 创建故事情节 ·····································45 3.4.2 实战—调整故事情节 ·····················46 3.4.3 实战—故事情节的提取与覆盖 ·····47 3.4.4 次级故事情节整体分离 ·····················48 3.4.5 次级故事情节部分片段分离 ·············48 3.4.6 实战—制作常见次级故事情节 ·····49 3.5 复合片段···················································50 3.5.1 创建复合片段 ·····································50 3.5.2 实战—修改和拆分复合片段 ·········51 3.6 三点编辑···················································52 3.6.1 实战—三点编辑连接片段 ·············52 3.6.2 反向时序的三点编辑示例 ·················53 3.6.3 多个片段进行三点编辑 ·····················53 3.7 添加和编辑静止图像 ·································54 3.7.1 制作静帧图像 ·····································54 3.7.2 输出静帧图像 ·····································55 3.7.3 PSD文件的应用 ··································55 3.7.4 制作快速抽帧 ·····································55 3.7.5 实战—调整抽帧画面的长度 ·········56 3.8 调整影片速度 ···········································57 3.8.1 均速更改片段速度 ·····························57 3.8.2 使用变速方法改变片段速率 ·············58 3.8.3 速度斜坡与快速跳剪 ·························59 3.8.4 实战—快速制作变速镜头 ·············59 3.9 多机位剪辑 ···············································60 3.9.1 创建多机位片段 ·································60 3.9.2 预览多机位片段 ·································61 3.9.3 实战—修改多机位片段 ·················62 3.10 编辑中常用的便捷方式 ······························63 3.10.1 时间线外观设置 ·······························63 3.10.2 使用时码 ···········································64 3.10.3 实战—时间线上按钮的使用·········64 3.11 综合实战—剪辑“蓝天白云”视频 片段 ························································65 3.12 本章小结·················································66 第4章 滤镜与转场 本章重点 ···························································67 7.1.1 添加连接字幕 ···································129 7.1.2 修改文字设置 ···································129 7.1.3 添加字幕预设效果 ···························132 7.1.4 实战—添加开场字幕 ···················132 7.1.5 实战—复制字幕 ···························134 7.1.6 整理字幕 ···········································136 7.1.7 实战—为视频添加特效字幕 ·······137 7.2 FCPX与Motion的协同工作 ·····················138 7.2.1 与Motion协同处理字幕的大小 ·······138 7.2.2 实战—调整字幕大小 ···················139 7.3 主题与发生器 ·········································141 7.3.1 背景发生器 ·······································141 7.3.2 时间码发生器及纹理 ·······················141 7.3.3 使用占位符 ·······································142 7.3.4 实战—制作时间码 ·······················142 7.4 综合实战—制作“向日葵”视频中的 字幕和时间码 ··········································144 7.5 本章小结·················································146 第8章 音频效果 本章重点 ·························································147 本章效果欣赏 ··················································147 8.1 音频的控制 ·············································147 8.1.1 认识音频指示器 ·······························148 8.1.2 在时间线中查看与控制音量 ···········148 8.1.3 实战—整体调整音频音量 ···········149 8.1.4 实战—调整特定区域内音量 ·······150 8.1.5 实战—利用关键帧调整音量 ·······151 8.1.6 音频渐变 ···········································152 8.1.7 实战—创建片段间的音频渐变 效果 ···················································153 8.1.8 音频片段间的交叉叠化 ···················154 8.1.9 实战—音频的过渡处理 ···············154 8.2 在检查器中查看与控制音量 ····················155 8.2.1 在检查器中调整音量 ·······················155 8.2.2 实战—设置音频均衡效果 ···········156 8.2.3 利用检查器手动修正音频 ···············157 8.2.4 声相及通道 ·······································158 8.2.5 实战—设置立体声模式 ···············158 8.2.6 实战—设置环绕声模式 ···············159 8.2.7 管理音频通道 ···································160 8.3 修剪音频片段 ·········································161 8.3.1 音频片段的剪辑处理 ·······················161 8.3.2 音频采样频率的设置 ·······················161 8.3.3 实战—调节音频素材采样 频率 ···················································162 8.4 音频效果的使用 ······································162 8.4.1 添加音频效果 ···································162 8.4.2 常用音频效果介绍 ···························163 8.4.3 实战—使用EQ跳接片段 音频 ···················································165 8.4.4 实战—添加指定音频效果 ···········165 8.5 综合实战—创建与编辑“色彩流动”项目 的音频 ····················································166 8.6 本章小结·················································168 第9章 影片输出与项目管理 本章重点 ·························································169 本章效果欣赏 ··················································169 9.1 影片输出·················································169 9.1.1 针对移动设备的预置输出 ···············170 9.1.2 针对网络共享的预置输出 ···············170 9.2 母版文件的输出与共享 ···························172 9.3 导出静态图像 ·········································173 9.3.1 实战—导出单帧图像 ···················173 9.3.2 实战—导出序列帧 ·······················174 9.4 其他导出操作 ·········································176 9.4.1 导出文件 ···········································176 9.4.2 导出XML ··········································177 9.4.3 分角色导出文件 ·······························177 9.5 使用Compressor输出文件 ······················178 9.5.1 Compressor设置添加到目的 位置 ···················································178 9.5.2 发送到Compressor中输出 ················178 9.6 管理项目·················································179 9.6.1 从备份中恢复项目 ···························179 9.6.2 整理项目素材与渲染文件 ···············179 9.6.3 项目及事件迁移 ·······························180 9.6.4 XML_FCPX之间的交换项目 ··········180 9.7 本章小结·················································180